Short Story Author of the Month, Cassie Hamer, on Writing Inspiration and Advice

Every month, Writer’s Edit selects one work to feature as our Short Story of the Month. This year we’re going behind the scenes of the writing to discuss inspirations and influences with the authors themselves.

We talked with Kindling III author, Cassie Hamer, about her story ‘Tim’s War‘ which explores adolescence and friendship during the paranoia of the Cold War.

Author Focus -Short Story of the Month

What’s your writing history like, and what are your accomplishments so far?

I’m a Sydney-based writer who likes walks on the beach and has a great sense of humour and I’m looking for… No. Sorry. Seriously.

I do live in Sydney and I’ve been writing creatively for five years. After nearly a decade in journalism and PR,  it was (oddly) motherhood that re-ignited my creative spirit. It’s so convenient as my three girls just love watching me work at the computer.

I’ve had some successes in short story competitions, and some of my pieces have been published. I blog about books and writing at and in my fantasies, the novel I’m working on will be published to great acclaim in the next five years.

Where did the idea for ‘Tim’s War’ first come from? The opening line has a great hook – what was the writing of the story like?

The idea came from a TV show where Australian artist Ben Quilty was being interviewed about his childhood.

He mentioned the fear he felt as a little boy, triggered by the Cold War. The idea intrigued me, and the story sprang from there.

Tell us about the time the story is set in. Did you have to do a lot of history research?

I had studied the Cold War at school for the HSC, so I had a sense of the paranoia of the period. But I did have to check dates and details.

Who are your literary influences? What are your favourite, must-read books?

I’m a promiscuous reader. My allegiance is not so much to the author, as to the work. If there’s truth in the sentiment, or a gripping plot or sublime imagery, I will read it!

That said, I will say that Cate Kennedy did change my thoughts on the possibilities of the short story – the way she elevates the domestic into something worthy of literature is quite extraordinary.

What advice would you give to other writers? What has been your best lesson so far?

My uni lecturer once told me that all writing is re-writing. And sadly it’s true.

A story is never ‘done’ after its first draft. This pains me, as I’m not a great self-editor, but it’s true.


Kyra Thomsen

Kyra is a writer and editor from Wollongong. She works full-time as a content writer while reading on the train and drafting short fiction stories in her spare time. Kyra won the 2012 Questions Writing Prize and has been published in Kindling, Seizure Online, Space Place & Culture and Tide. She enjoys admiring her bookshelves, watching cheesy shows on Netflix, and browsing her Tumblr. You can learn more about Kyra's previous publications, plus find fortnightly posts, on her website:

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